Home  ›  Green Day Live in New York Album Art 2000

Green Day Live in New York Album Art 2000

Written By Friday, April 29, 2022 Add Comment Edit

2000 studio album by Green Day

Warning
A black-and-white photo of all the band's members walking on sidewalk with the city in the background. We see the band's name written in green, and the album's title written in yellow.
Studio album past

Green Twenty-four hours
Released October 3, 2000 (2000-x-03)
Recorded January–May 2000
Studio Studio 880, Oakland, California
Genre
  • Punk rock[i] [ii] [3]
  • folk punk[4] [5]
  • popular-punk[half-dozen] [vii]
  • power pop[8] [9]
  • culling stone[ten]
Length 41:14
Label Reprise
Producer
  • Green Solar day
  • Rob Cavallo (exec.)
Green Day chronology
Nimrod
(1997) 		Warning
(2000) 		Melody In, Tokyo...
(2001)
Singles from Warning
  1. "Minority"
    Released: August 22, 2000
  2. "Warning"
    Released: December 11, 2000
  3. "Waiting"
    Released: May 29, 2001
  4. "Macy'due south Day Parade"
    Released: Dec 3, 2001 (promo)

Warning (stylized as Warning: ) is the 6th studio album by American rock band Green Day, released on Oct iii, 2000, by Reprise Records. Building upon its predecessor Nimrod (1997), it eschewed the band's trademark sound and incorporated acoustic elements and popular and folk styles. Lyrically, the album contains more optimistic and inspirational themes in comparing to the band's earlier releases. Warning was likewise Green Twenty-four hour period's first album since Kerplunk (1991) that was not produced by Rob Cavallo, although he did have a manus in its production and was credited equally executive producer.

Despite mixed criticism towards the band's stylistic change, the anthology received by and large positive reviews from critics, who praised vocalist/guitarist Billie Joe Armstrong'due south songwriting. Although it peaked at number iv on the United states Billboard 200, Alarm represented the lowest commercial slump in Green Day's career, being their commencement anthology since signing to a major label not to achieve multi-platinum status. Notwithstanding, the anthology beingness leaked onto Napster three weeks before its release may have been a contributing factor to its low sales.[11] The album has nonetheless been certified gold by the Recording Industry Association of America, and has sold over 1.2 million copies as of 2012. Worldwide information technology has sold 3.five meg copies.

Background [edit]

Later on taking a break from touring in promotion of the band'due south quaternary album Insomniac (1995), Green Day recorded the more than experimental Nimrod (1997).[12] The tape, which delved into a wider variety of genres including folk, ska, and surf rock, featured the unprecedented acoustic hit "Good Riddance (Time of Your Life)".[thirteen] [14] Vocalist/guitarist Billie Joe Armstrong recalled that the song'south stylistic divergence from the grouping's earlier work made him anxious about the song's release: "I was scared for that song to come out...because information technology was such a vulnerable song, to put that vocal out and information technology was like which mode will it end up going? It was really heady and information technology kind of sparked more in u.s. as songwriters to expand on that."[15]

The band embarked on the Nimrod promotional tour, which largely featured more intimate shows with audiences of 1,500 to 3,000 people.[16] By the end of the tour, the band noted that its audience had evolved. 924 Gilman Street, the punk club in the band's hometown that had once banned Green 24-hour interval after the group signed with a major label, booked bassist Mike Dirnt's side project the Frustrators for a testify.[17] Dirnt described the experience as "a wonderful piece of closure".[17] Punk rock music was no longer popular in the mainstream as nu metal acts such as Korn, Limp Bizkit, and Child Rock were experiencing success.[18] According to Studio 880 owner John Lucasey, the band was "definitely at a very large crossroads."[xviii]

Recording [edit]

The music of Bob Dylan (correct) was a major influence on the band during the writing and recording of Warning.

For Alarm, Green Day initially opted to work with a producer other than Rob Cavallo, who had handled the production of the band's previous three albums. The grouping selected Scott Litt, who had previously worked with Nirvana and R.Eastward.Yard.[eighteen] All the same, the band had disagreements with Litt over the album's musical direction; vocaliser/guitarist Billie Joe Armstrong recalled that "It just didn't piece of work out. He was really cool, but for that particular project, it simply wasn't the right chemistry."[18] The grouping subsequently brought Cavallo dorsum in, simply this time the band handled most of the product duties, with Cavallo instead serving as "executive producer".[19] During the anthology's writing and early on recording sessions, Armstrong repeatedly listened to Bob Dylan's 1965 record Bringing It All Back Habitation, which had a major influence over both Alarm's musical experimentation and socially witting lyrics.[19]

The band began work on the album 2 years before inbound the studio to record on April 1, 2000.[20] During this flow, the group members met five days a calendar week to write new songs and rehearse former ones, with Tre Cool observing, "We've been practicing and writing songs and playing them and playing them and writing new songs and playing them and playing them... People think nosotros're off in Hawaii kicking back and shit, simply nosotros're in Oakland playing our jams."[twenty] The album was recorded at Studio 880 in Oakland.[eighteen] Cool noted of the band'southward work ethic in the studio, "We're not really sprinting. We're working at the aforementioned stride, simply information technology'due south a pretty fast step for recording. We're faster than every other band, pretty much. That's what I've been told."[twenty] With the record, the band aimed to construct a solid list of tracks where "each song could exist its ain album".[20] The group likewise made sure to brand each song "well thought out and well placed" with regard to the anthology'southward tracklisting.[twenty]

Music and lyrics [edit]

With Alarm, the ring experimented with more acoustic guitars, and strove for a "non sappy acoustic... more aggressive, percussive acoustic" sound.[20] Cool and bassist Mike Dirnt also emphasized "deeper" grooves on the record.[20] The championship track, a "densely produced smash of layered vocals [and] strummed audio-visual guitars", features a "circling bass riff" like to that of "Picture Book" by the Kinks.[21] [22] "Waiting", which has been categorized as a "retro-pop lament", is based on the riff from Petula Clark's 1964 vocal "Downtown".[six] [25] Its tune has also been compared to the Mamas & the Papas and the hook to Kiss.[26] Ken Tucker of Entertainment Weekly felt that "Misery" is "probably Billie Joe'southward idea of a Brecht-Weill pop operetta."[23] It features "mariachi contumely" instrumentation, every bit well as strings, accordions, and acoustic guitar.[24] The song's five-minute length has been called "an epic past Light-green Day standards".[23] The use of a harmonica on "Hold On" has been compared to the Beatles' "Love Me Do" and "I Should Have Known Improve."[21] [27] "Macy's Twenty-four hour period Parade" contains elements of folk and pop.[24]

The anthology features more positive and uplifting lyrics in comparison with Green Day's earlier work.[20] Cool noted that, "It's got the sarcasm, it's got the snottiness, but it's got a little light at the end of the tunnel."[xx] Alert also contains more than explicitly political themes, equally exemplified by tracks such equally "Minority".[xix] This was inspired by Armstrong's fear that presidential nominee Al Gore was going to lose the 2000 U.S. presidential election and that "someone actually conservative" would take office.[28] He recalled, "We've always tried to keep an ear to the ground and keep our eyes open up to what'southward going on...that's one reason why I was really taking my time writing songs to really [make an touch on]. Instead of just writing an overly knee-jerk reaction."[29] According to Sal Cinquemani of Slant Magazine, the lyrics of "Minority" serve as "a reminder of the youthful mentality of Green Day's early work".[24] "Misery" tells various stories in its verses, all of which end unhappily. The start poesy centers on a girl named Virginia who was a "lot lizard", a term for a prostitute who exchanges sex for money with truck drivers at interstate highway truck stops.[30] "Blood, Sex and Alcohol" explores the discipline of sadomasochism.[24]

Release [edit]

Commercial functioning [edit]

Warning peaked at number four on the Billboard 200, remaining on the chart for 25 weeks[31] and it sold 156,000 copies on its first calendar week according to Billboard.[32] On December 1, 2000, the record was certified gilded by Recording Industry Clan of America (RIAA), for shipments of over 500,000 copies.[33] In Canada, the record reached the number two position and stayed on the chart for five weeks.[31] On August i, 2001, the anthology was certified platinum by the Canadian Recording Industry Association for shipments of over 100,000 units.[34] Warning also reached the top ten in multiple countries outside of North America, including Australia, Italy, and the Britain.[35] [36] [37] The album was later certified platinum by the Australian Recording Industry Association (ARIA) for shipments of over 70,000 copies.[38] As of Dec 20, 2012, Alert has sold 1.ii 1000000 copies, according to Nielsen SoundScan.[39]

Critical reception [edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 72/100[40]
Review scores
Source Rating
AllMusic [41]
Entertainment Weekly B+[23]
Los Angeles Times [42]
Melody Maker [43]
NME five/x[26]
Rolling Rock [44]
The Rolling Stone Album Guide [45]
Slant Magazine [24]
Spin 6/10[half-dozen]
The Hamlet Voice A−[46]

Alert received generally positive reviews from music critics.[forty] At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an boilerplate score of 72 based on xix reviews, which indicates "generally favorable reviews".[40] Entertainment Weekly 's Ken Tucker perceived a maturity in the album'southward lyrical content and called its music "as peppy equally any Green Mean solar day have recorded".[23] Charlotte Robinson of PopMatters commended Billie Joe Armstrong's lyrics and noted the band for embracing "the pop bent that has always been a function of their sound".[47] The A.V. Club 's Stephen Thompson stated "Green Solar day has never made a record then slick and musically mature".[21] Los Angeles Times writer Natalie Nichols wrote that the album "reveal[southward] them shaking off the transitional aspects of 1997's ' Nimrod ' to arts and crafts a more coherent, less ambitious only nevertheless rebellious collection that besides draws on the fifty-fifty older pop traditions of Bob Dylan, the Beatles and the Who".[42] "Metal" Mike Saunders of The Village Vocalisation viewed Alert as the band's best work and compared its music to that of the Beatles' Safety Soul (1965).[48] In his consumer guide for The Hamlet Voice, critic Robert Christgau gave the anthology an A− rating,[46] indicating "the kind of garden-variety good tape that is the great luxury of musical micromarketing and overproduction. Anyone open up to its artful will savour more than than half its tracks".[49] Christgau noted "professionalism, arts and crafts, artistic growth" rather than maturity in Armstrong'due south songwriting and elaborated on his change in musical direction, stating:

He'due south abandoning the first person. He's assuming fictional personas. And he's creating for himself the vox of a thinking left-liberal who 'want[s] to be the minority' and cautions against caution itself--a voice that scolds rather than whines, a overnice historic period-appropriate shift. Crucially, his knack for uncomplicated punk tunes remains unchanged; too crucially, these do fine at moderate tempos, and i even gives off a whiff of Brecht-Weill.[46]

Past contrast, NME 's Andy Capper was ambivalent towards the ring's "less electrical, more than organic audio" and stated "Older. More Mature. ' Warning ' is the sound of a band losing its style".[26] Greg Kot of Rolling Stone wrote that Armstrong "tin't muster the same excitement for his more mature themes" and stated "Who wants to listen to songs of faith, promise and social commentary from what used to be snot-core'due south biggest-selling band?".[44] Adam Downer of Sputnikmusic gave it three out of five stars and commented that information technology "consists of instant classics like Minority and Macy's Twenty-four hours Parade, but it besides is filled with garbage songs also".[fifty] Spin writer Jesse Berrett stated "these maturity moves buoy muzzy be-yourselfism ... Nor does everything in the stylistic grab purse fit", but concluded by complimenting Armstrong'due south "earnestly skilful-hearted" lyrics and wrote that "this album is subsequently... evidence that even the snottiest deserve grace and the chance to historic period into warmth".[6] Q gave the album iii out of five stars and described it as "Hugely likeable, terribly noisy and cute, as well as being jammed with proper pop songs".[40] Neal Weiss of Yahoo! Music chosen the album "crafty pop-rock" and stated "Some might wish Greenish Day never decided to abound up like this, merely others might consider it a starting signal to take the ring seriously".[51] Slant Magazine editor Sal Cinquemani perceived elements of folk and "pop sensibilities", writing that the album "displays just how well Green Twenty-four hour period can construct pop songs".[24]

Hindsight [edit]

Writing in 2009 with regard to Warning'southward lackluster commercial operation, James Montgomery of MTV News called the record "unjustly overlooked" and applauded Armstrong'southward "super strong" songwriting on the album.[52] In The New Rolling Stone Anthology Guide (2004), Rolling Stone journalist Nick Catucci gave the album four out of v stars and wrote that the band "fully focus on the textures that accept e'er differentiated their sturdy grooves and simple melodies".[45] Catucci called the songs "speedy, neatly packaged reinterpretations of pop-rock history, from the Beatles to Creedence Clearwater Revival to the Ramones themselves".[45] AllMusic editor Stephen Thomas Erlewine called it "gleeful, unabashed fun" and complimented Greenish Day for "embracing their fondness for pop and making the best damn anthology they'd ever made".[41] Erlewine expressed that the band displays "melodic ingenuity and imaginative arrangements" and elaborated on its musical significance, stating "Alarm may not be an innovative record per se, just information technology's tremendously satisfying; it finds the band at a summit of songcraft and functioning, doing it all without a trace of self-consciousness. It'south the get-go keen pure pop album of the new millennium".[41] Dom Passantino of Stylus Magazine cited it as "the most influential album on the British pop mural since 1996 (Spice, naturally)", noting it as a pregnant influence on "the two biggest bands in the UK at the moment, and indeed for the past few years, Busted and McFly".[53] Passantino called Alert "a groovy album" and viewed that Green Twenty-four hour period "seemed to be bored with their genre-medium, merely simultaneously knowledgeable that any endeavor to boundary-hop will end with them falling on their confront".[53]

Promotion and impact [edit]

While Green Day was nearing completion of Warning, the band announced it would be performing on the 2000 Vans Warped Tour during the summer before the album's Oct release.[28] Although the group had been invited to perform on the bout before, the ring was unable to exercise so due to scheduling conflicts.[28] Because of Greenish Day's new stylistic change displayed on Warning, the band was considered an unconventional choice for the bout. Jason White, guitarist for Armstrong'southward side project Pinhead Gunpowder, was recruited to perform with the band to add together "more power" to the grouping's sound; White observed that "Even I was similar, 'Why are Green Day on the Warped Tour?'".[28] Fat Mike of NOFX recalled, "They were the biggest band on the bout but it wasn't by far. Dark-green Day weren't super popular at that time. I think they did the Warped tour considering they wanted to go pop again."[25] He besides went on to call Warning "probably their worst anthology, I think. It'southward what happens, the ups and downs."[25] However, Joel Madden of Good Charlotte, whose 2002 release The Young and the Hopeless outsold Alarm, opined that "I was definitely aware that our record at the time sold more than perchance than their record only I think we idolized them and then much that it didn't thing. Nosotros thought Warning was ane of their best records."[54]

In January 2001, Colin Merry of the English stone band Other Garden filed a alienation of copyright lawsuit against Green Day, claiming that the album's title track is a "reworked" version of his band's 1992 song "Never Got the Gamble".[22] Merry noted that despite both songs' similarity to the riff of "Picture Volume" by the Kinks, the similarity between "Warning" and "Never Got the Chance" was more "striking".[22] Green Day denied the accusations, and although Merry requested to halt all royalties from "Warning", the lawsuit was later dropped.[22] [25]

Green Day also co-headlined a "shared bill" with a young man Californian popular-punk band Blink-182 on the Popular Disaster Tour from April to June 2002.[54] The two bands traded off headlining positions throughout the tour, every bit Glimmer-182 was experiencing higher tape sales at the fourth dimension, while Green Solar day had experienced mainstream success for a longer period of time.[54] Armstrong explained Green Twenty-four hours's desire to perform on the bout by stating, "Nosotros really wanted to be function of an event. We figured putting the two biggest pop punk bands on the planet together was definitely going to be an event."[54] In his volume Nobody Likes You: Within the Turbulent Life, Times and Music of Green Day, author Marc Spitz likened Blink-182 headlining a tour with Greenish Twenty-four hours to "Frank Sinatra, Jr. headlining over Frank Sinatra."[54]

Track list [edit]

All lyrics are written past Billie Joe Armstrong, except where noted; all music is composed by Green Day.

No. Title Length
ane. "Warning" 3:42
2. "Blood, Sex and Booze" 3:33
3. "Church building on Sunday" 3:18
4. "Fashion Victim" 2:49
5. "Castaway" 3:52
vi. "Misery" (lyrics written by Green Twenty-four hour period) 5:06
7. "Deadbeat Vacation" 3:35
8. "Hold On" 2:56
9. "Jackass" 2:43
10. "Waiting" 3:13
xi. "Minority" 2:49
12. "Macy'south Day Parade" 3:34
Total length: 41:fourteen
Special edition UK version
No. Championship Length
13. "86" (Live in Prague) 3:01
Total length: 44:15
Japanese and Australian version
No. Title Length
13. "Deviling" (Alive at the Marumi Arena, Tokyo, Japan; January 27, 1996) i:42
14. "86" (Live at the Sporthalle, Prague, Czechia; March 26, 1996) 3:01
Total length: 45:57

Personnel [edit]

Credits for Warning adapted from liner notes.[55]

Charts [edit]

Singles [edit]

Year Vocal Peak positions
Usa Modern Rock
[75] 		U.s.a. Mainstream Rock
[76] 		U.k. Top 40
New Zealand
2000 "Minority" 1 xv eighteen 39
"Warning" three 24 27 37
2001 "Waiting" 26 — 34 —
"Macy'due south Day Parade" — — — —
"Blood, Sex & Alcohol" — — — —

Certifications and sales [edit]

References [edit]

  1. ^ Heisel, Scott (July 6, 2001). "Green Day - Warning". Punknews.org. Archived from the original on 2017-07-31. Retrieved May fourteen, 2018.
  2. ^ "These punk records from 2000 led the genre into a brand-new century". Alternative Press. October 22, 2021. Retrieved April 28, 2022.
  3. ^ Loftin, Steven. "A CELEBRATION OF 'WARNING', THE ALBUM THAT CHANGED Green Mean solar day FOREVER". Rock Audio . Retrieved April 28, 2022.
  4. ^ Spitz, 2006, p. 151.
  5. ^ Cinquemani, Sal (November eleven, 2021). "MUSIC Review: Green 24-hour interval, International Superhits!". Slant . Retrieved April xvi, 2022. The album's new offer, "Poprocks & Coke," dishes out more of the maturated, acoustic-filled folk-punk that began with "Practiced Riddance (Time of Your Life)" and Alert (the well-nigh notable selection from that album, "Macy's Day Parade," aptly closes Superhits!).
  6. ^ a b c d Berrett, Jesse. "Review: Warning". Spin. Bob Guccione, Jr. 197. November 2000.
  7. ^ Cinquemani, Sal (September 21, 2004). "Greenish Day: American Idiot". Slant Magazine. Archived from the original on 2013-10-31. Retrieved October 23, 2011.
  8. ^ Green Day gets serious. Cincinnati, Ohio: Gannett Media Corp. Oct 12, 2000. p. 20. On its 6th album, "Warning," the Bay expanse trio wallows in ability-pop excess...
  9. ^ Wilson, Ken (October 7, 2000). Green Day guys finally growing up-- sort of. Toronto, Ontario: Torstar Syndication Services, a Division of Toronto Star Newspapers Express. ISSN 0319-0781. Information technology would be stretching to employ the give-and-take "mature" to Greenish Day, of class, but the relatively subdued helping of jauntily cynical power-pop tunes nerveless on Warning...
  10. ^ Duggan, Fearghal. "The 10 Songs Green Day Should Play At Brixton Adjacent Calendar week". Sabotage Times. Archived from the original on 2013-12-01. Retrieved 2013-12-25 . ...the mildly disappointing alt-rock anthology that was 2000'southward 'Warning'.
  11. ^ "Green Day's Alert Available On Napster". Nautical chart Assail. Archived from the original on April 29, 2003. Retrieved January 23, 2019.
  12. ^ Spitz, 2006, p. 126
  13. ^ Sullivan, Jim (October 10, 1997). "Green Day stretches out on 'Nimrod'". The Boston Globe. The New York Times Visitor.
  14. ^ Myers, 2006. pp. 152-153
  15. ^ Spitz, 2006, p. 132
  16. ^ Spitz, 2006, p. 138
  17. ^ a b Spitz, 2006, p. 139
  18. ^ a b c d east Spitz, 2006, p. 140
  19. ^ a b c Spitz, 2006, p. 141
  20. ^ a b c d e f g h i Mancini, Robert (May 30, 2000). "Green Twenty-four hours To Issue "Warning" In Oct". MTV News. Viacom. Retrieved July 27, 2012.
  21. ^ a b c d Thompson, Stephen (March 29, 2002). "Review: Alarm". The A.V. Club. The Onion, Inc. Archived from the original on 2012-x-06. Retrieved August five, 2010.
  22. ^ a b c d east Kemp, Rob (Jan 12, 2001). "English Rocker Claims Green Twenty-four hours Plagiarized His Vocal". MTV News. Viacom. Archived from the original on 2012-10-17. Retrieved July 27, 2012.
  23. ^ a b c d e Tucker, Ken (Oct 2, 2000). "Review: Warning". Entertainment Weekly. Fourth dimension Inc. Archived from the original on 2012-ten-19. Retrieved August v, 2010.
  24. ^ a b c d eastward f 1000 Cinquemani, Sal. Review: Warning Archived 2010-06-xviii at the Wayback Automobile. Slant Magazine. Retrieved on August v, 2010.
  25. ^ a b c d Spitz, 2006, p. 143
  26. ^ a b c Capper, Adam. Review: Warning Archived 2009-08-01 at the Wayback Machine. NME. Retrieved on Baronial v, 2010.
  27. ^ "Archived copy". Archived from the original on 2014-02-25. Retrieved 2014-02-25 . {{cite web}}: CS1 maint: archived copy as championship (link)
  28. ^ a b c d Spitz, 2006, p. 142
  29. ^ Spitz, 2006, pp. 141-142
  30. ^ Ditmore, 2006. p. 412
  31. ^ a b "Chart History: Greenish Mean solar day - Alarm". Billboard. Prometheus Global Media. Retrieved July 27, 2012.
  32. ^ "Archived copy". Archived from the original on 2013-05-26. Retrieved 2015-07-01 . {{cite web}}: CS1 maint: archived re-create as title (link) CS1 maint: bot: original URL status unknown (link)
  33. ^ "Gold & Platinum RIAA Certifications 2000". Recording Industry Association of America. December 1, 2000. Retrieved July 20, 2012.
  34. ^ "Gilt & Platinum Certification - Warning". Canadian Recording Manufacture Clan. Archived from the original on January xxx, 2013. Retrieved July 20, 2012.
  35. ^ "Chart History: Dark-green Day - Warning". Australian Recording Industry Association. Archived from the original on 2012-11-11. Retrieved July 27, 2012.
  36. ^ "Chart History: Greenish Twenty-four hours - Warning". Federation of the Italian Music Industry. Archived from the original on 2012-10-21. Retrieved July 27, 2012.
  37. ^ "Charts - Week of 2000-ten-xiv". Official Charts Company . Retrieved July 28, 2012.
  38. ^ "ARIA Charts - Accreditations - 2000 Albums" Archived 2011-06-11 at the Wayback Machine. Australian Recording Manufacture Clan. Retrieved February iii, 2012.
  39. ^ a b Lipshutz, Jason (Dec 20, 2012). "Green Day's Album Trilogy: What Happened with 'Uno!,' 'Dos!' and 'Tre!'?". Billboard. New York. Archived from the original on 2013-12-07. Retrieved December 21, 2012.
  40. ^ a b c d "Warning (2000): Reviews". Metacritic. Archived from the original on 2010-03-23. Retrieved August 5, 2010.
  41. ^ a b c Erlewine, Stephen Thomas. Review: Alarm. AllMusic. Rovi Corporation. Retrieved on August v, 2010.
  42. ^ a b Nichols, Natalie (Oct one, 2000). "Review: Alert". Los Angeles Times. Archived from the original on 2012-xi-03. Retrieved Baronial 5, 2010.
  43. ^ "Review: Warning". Melody Maker. London: 58. October 3, 2000.
  44. ^ a b Kot, Greg. Review: Warning Archived 2013-03-05 at the Wayback Machine. Rolling Stone. Jann Wenner. Retrieved on February 26, 2012.
  45. ^ a b c Catucci et al. Brackett & Hoard (2004), pp. 347–348.
  46. ^ a b c Christgau, Robert. "Consumer Guide: Warning Archived 2010-04-14 at the Wayback Machine". The Village Voice: October 17, 2000. (Christgau'southward website archive Archived 2012-02-17 at WebCite). Retrieved on August five, 2010.
  47. ^ Robinson, Charlotte (October 3, 2000). "Review: Alarm". PopMatters. Archived from the original on 2010-07-22. Retrieved Baronial 5, 2010.
  48. ^ Saunders, "Metallic" Mike. Review: Warning Archived 2012-10-19 at the Wayback Machine. The Hamlet Vox. Village Voice Media. Retrieved on August v, 2010.
  49. ^ Christgau, Robert. CG Keys to Icons: Grades 1990- Archived 2012-03-eleven at WebCite. Robert Christgau. Retrieved on August 5, 2010.
  50. ^ Downer, Adam. Review: Alert Archived 2005-12-31 at the Wayback Machine. Sputnikmusic. Retrieved on August 5, 2010.
  51. ^ Weiss, Neal (October 3, 2000). "Dark-green Twenty-four hour period Reviews". Yahoo! Music. Yahoo!. Archived from the original on August 5, 2010. Retrieved August 5, 2010.
  52. ^ Montgomery, James. "Globe Day Albums: ten Overlooked LPs That Deserve Recycling". MTV News. Viacom. Archived from the original on 2012-05-21. Retrieved 2012-07-27 .
  53. ^ a b Passantino, Dom. Review: Alert Archived 2010-02-05 at the Wayback Automobile. Stylus Magazine. Retrieved on August v, 2010.
  54. ^ a b c d e Spitz, 2006, p. 145
  55. ^ Warning (CD liner). Light-green Twenty-four hours. Reprise Records. 2000. nine 47613-2. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  56. ^ "Australiancharts.com – Green Twenty-four hours – Warning:". Hung Medien. Retrieved Baronial 29, 2020.
  57. ^ "Austriancharts.at – Light-green Day – Warning:" (in German). Hung Medien. Retrieved Baronial 29, 2020.
  58. ^ "Greenish Twenty-four hours Chart History (Canadian Albums)". Billboard. Retrieved Baronial 29, 2020.
  59. ^ "Dutchcharts.nl – Green 24-hour interval – Warning:" (in Dutch). Hung Medien. Retrieved August 29, 2020.
  60. ^ "Lescharts.com – Green Day – Alarm:". Hung Medien. Retrieved August 29, 2020.
  61. ^ "Offiziellecharts.de – Green Day – Alarm:" (in High german). GfK Amusement Charts. Retrieved August 29, 2020.
  62. ^ "Album Top 40 slágerlista – 2000. 43. hét" (in Hungarian). MAHASZ. Retrieved November 26, 2021.
  63. ^ "Irish-charts.com – Discography Light-green Solar day". Hung Medien. Retrieved August 29, 2020.
  64. ^ "Italiancharts.com – Greenish Day – Warning:". Hung Medien. Retrieved August 29, 2020.
  65. ^ "Charts.nz – Light-green Day – Warning:". Hung Medien. Retrieved August 29, 2020.
  66. ^ "Official Scottish Albums Nautical chart Summit 100". Official Charts Company. Retrieved Baronial 29, 2020.
  67. ^ Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959-2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN84-8048-639-two.
  68. ^ "Swedishcharts.com – Green Day – Alert:". Hung Medien. Retrieved August 29, 2020.
  69. ^ "Swisscharts.com – Green Day – Warning:". Hung Medien. Retrieved August 29, 2020.
  70. ^ "Official Albums Chart Meridian 100". Official Charts Visitor. Retrieved August 29, 2020.
  71. ^ "Light-green Day Chart History (Billboard 200)". Billboard. Retrieved Baronial 29, 2020.
  72. ^ "ARIA Top 100 Albums for 2000". Australian Recording Industry Association. Retrieved October 1, 2021.
  73. ^ "Canada'south Top 200 Albums of 2000". Jam!. Archived from the original on August 12, 2004. Retrieved March 24, 2022.
  74. ^ "Meridian Billboard 200 Albums – Yr-End 2001". Billboard . Retrieved Baronial 29, 2020.
  75. ^ "Dark-green Day Album & Song Chart History – Alternative Songs". Billboard. Prometheus Global Media. Retrieved October 26, 2010.
  76. ^ "Greenish Day - Billboard Singles". AllMusic. Rovi Corporation. Retrieved October 26, 2010.
  77. ^ "ARIA Charts – Accreditations – 2000 Albums" (PDF). Australian Recording Industry Clan. Retrieved July nine, 2019.
  78. ^ "Canadian anthology certifications – Green Day – Warning". Music Canada. Retrieved October fifteen, 2021.
  79. ^ "Platinum" (PDF). Music & Media. January 27, 2001. p. 4. Retrieved July 9, 2019.
  80. ^ "Japanese anthology certifications – Light-green Day – Alert" (in Japanese). Recording Industry Association of Nippon. Retrieved July 9, 2019. Select 2000年9月 on the drop-downward bill of fare
  81. ^ Panas, Dan (Dec 29, 2000). "Marie är popens drottning år 2000". Aftonbladet (in Swedish). Archived from the original on March 16, 2021. Retrieved March 16, 2021.
  82. ^ "British album certifications – Green Mean solar day – Alert". British Phonographic Manufacture. Retrieved September three, 2021.
  83. ^ "American album certifications – Green Day – Warning". Recording Industry Association of America. Retrieved July ix, 2019.

Works cited

  • Brackett, Nathan; Hoard, Christian, eds. (2004). The New Rolling Stone Album Guide . Completely Revised and Updated 4th Edition. Simon & Schuster. ISBN0-7432-0169-8.
  • Ditmore, Melissa Hope. (Baronial thirty, 2006) Encyclopedia of Prostitution and Sex Work. Greenwood. ISBN 978-0313329685.
  • Spitz, Marc. (Nov 1, 2006) Nobody Likes Yous: Inside the Turbulent Life, Times, and Music of Green Day. Hyperion. ISBN 978-1401309121.

External links [edit]

  • Warning at YouTube (streamed copy where licensed)
  • Warning at Discogs (list of releases)
  • Warning at Metacritic Edit this at Wikidata

0 Response to "Green Day Live in New York Album Art 2000"

Post a Comment

Subscribe to: Post Comments (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel